Lyracle is an ensemble dedicated to repertoire featuring voice and viol-family instruments. We founded Lyracle in 2018 to bring creative, unique, and historically informed performances to audiences both familiar and unfamiliar with early music. Our current focus is the largely forgotten art of accompanying the solo voice with a single viol, and we hope to help give this unique and rarely heard practice the attention it deserves.

Described as a “vocal knockout” by Opera News, mezzo-soprano Ashley Mulcahy is a recent graduate of the Voxtet Program (MM) at the Yale School of Music, where she studied with James Taylor. At Yale Ashley had the opportunity to work with many internationally renowned conductors, including Nicholas McGegan, Masaaki Suzuki, David Hill, and Simon Carrington. Favorite performances include alto solos in Handel’s Alexander’s Feast and Haydn’s Lord Nelson Mass with Juilliard 415 and the title role in A. Scarlatti’s Caino, ovvero il primo omicidio. Ashley previously resided in Chicago, where she studied with Ellen Hargis and sang with The Newberry Consort and Music of the Baroque. She was a Young Artist at the 2017 Boston Early Music Festival and earned a BA in Italian and a BM in vocal performance from the University of Michigan, where she studied with Carmen Pelton. Ashley now resides in Boston.

James Perretta enjoys pursuing a variety of musical and academic endeavors. James recently graduated from the University of Michigan, where he studied viola da gamba and baroque cello with Enid Sutherland, completed a BM in modern cello with Richard Aaron, and earned a MS in Computer Science and Engineering. From 2017-2019, James founded and directed a student viol consort in Ann Arbor, introducing consort playing to students unfamiliar with the instrument. In addition to music for voice and viol, James is passionate about exploring 16th and 17th century styles of improvisation. James currently resides in Boston and teaches viola da gamba at the Powers Music School. During his undergraduate years, James also served as Principal Cellist in the University Symphony Orchestra, was seated as second-chair cellist in the New York String Orchestra Seminar at Carnegie Hall, and was a finalist in the University of Michigan Concerto Competition.

Sept
17
2019
Tuesday Recitals Series
September 17, 2019 at 12:15pm
King's Chapel
58 Tremont St.
Boston, MA 02108
Molza: Music for a Muse
Suggested Donation: $5
Past Events
June
14
2019
Gamba Gamut at BEMF Fringe
June 14, 2019 at 1:30pm (the full concert begins at 11:30am)
Old South Church in Boston
Gordon Chapel (enter from Boylston St and turn left)
645 Boylston St, Boston, Massachusetts 02116
Voice and Viol: History's Forgotten Dynamic Duo
$10 suggested donation
Visit the event's Facebook page for more information
May
12
2019
Long Island Early Music Festival
May 12, 2019 at 4:00pm
Cathedral of the Incarnation
50 Cathedral Ave
Garden City, NY 11530
Voice and Viol: History's Forgotten Dynamic Duo
Tickets available online via Realm
Visit the Cathedral of the Incarnation's website for the full 2019 season
Sept
6
2018
GEMS Midtown Concert Series
St. Bartholomews Church, chapel
325 Park Ave.
New York, NY 10022
Free admission
July
8
2018
Pegasus Rising Concert Series
Third Presbyterian Church, chapel
East Ave. near 4 Meigs St.
Rochester, NY 14607
July
5
2018
Voice and Viol: History's Forgotten Dynamic Duo
Duderstadt Center Gallery, University of Michigan
2281 Bonisteel Blvd.
Ann Arbor, Mi 48109
Free admission
Fra le dorate chiome - Giaches de Wert
O primavera - Luzzasco Luzzaschi
Vedro il mio sol - Giulio Caccini*
O how my thoughts do beate me - Robert Jones*
*Recorded live at the 2019 Long Island Early Music Festival

Molza: Music for a Muse
We celebrate the talents and accomplishments of Tarqunia Molza (1542-1617), the virtuosic soprano, viol player, and highly paid employee at the Este Court in Ferrara, who was known for her unrivaled ability to accompany her own singing on the viol.

Voice and Viol: History's Forgotten Dynamic Duo
In this program we trace the the tradition of accompanying a solo voice with a single viol from its roots in 16th century Italy to its heyday in early 17th century England.

Facebook · lyraclemusic@gmail.com